Ecstatic Truth II: the schedule

Ecstatic Truth II – Lessons of Darkness and Light, 27th May, 2017, Royal College of Art

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9.30 – 10.00    Arrival

10 -10.15         Intro/Welcome by Professor Teal Triggs, Associate Dean of the School of Communication; Dr Birgitta Hosea, Head of Animation; Dr Tereza Stehlíková, Visiting Tutor,

10.15 – 10.45   Keynote: Bella Honess Roe

Dr Bella Honess Roe is a film scholar who specialises in documentary and animation. Her 2013 monograph Animated Documentary is the first text to investigate the convergence of these two media forms and was the recipient of the Society for Animation Studies’ 2015 McLaren-Lambart award for best book. She also publishes on animation and documentary more broadly and is currently editing a book on Aardman Animations (I.B. Tauris), co-editing a volume on the voice in documentary (Bloomsbury) and co-editing the Animation Studies Handbook (Bloomsbury). She is Senior Lecturer and Programme Director for Film Studies at the University of Surrey.

For more info on her work: https://bellahonessroe.wordpress.com

10.45 – 11.45 Traversing the terrain of space, time and form

  • Rose Bond “Broadsided”

Must documentary be confined to a single screen?  How does the siting of a screening influence its perception?  This screening/talk focuses on documentary strategies in Rose Bond’s multi-screen animated installation Broadsided! which was sited in the windows of the Exeter Castle.  A screened excerpt from Broadsided! documentation provides the basis for brief examination of documentary methods used to convey a point of view: research, reenactment, data visualization and parataxis.

Broadsided! (Exeter, UK) from Rose Bond on Vimeo.

Rose Bond creates monumental, content driven animated installations. Rear projected in multiple windows, her themes are often drawn from the site – existing as monuments to the unremembered. Her installations have illuminated urban spaces in Zagreb, Toronto, Exeter UK, New York City, Utrecht, Netherlands and Portland, Oregon.

To see more of her latest work: http://www.opb.org/television/programs/artbeat/segment/portland-oregon-animator-rose-bond/

  • Carla MacKinnon “Immersion and alienation: animated virtual realities”

This presentation will explore how animated documentaries are pioneering creativity in virtual reality (VR). I will propose that animated documentary is a good fit for VR technically and creatively, and that the distancing quality and ‘absence and excess’ (Honess Roe, 2013) of animated documentary complements the duel sensation of immersion and alienation evoked in the dreamlike experience of VR.

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Carla MacKinnon is a filmmaker and practice-based PhD candidate at Arts University Bournemouth, whose moving image work has been exhibited widely. Carla has a Masters in Animation from Royal College of Art and has worked as a festival producer and manager of technology projects. She is also director of interdisciplinary events organization Rich Pickings.

11.45 – 12.00  BREAK

12.00 – 1.00    Deeper strata

  • Vincenzo Maselli: “Deeper strata of meanings in stop-motion animation: the meta-diegetic performance of matter”

Can puppets’ skin materials express deeper levels of signification in stop-motion animation cinema? The paper suggests the concept of autonomous performance of matter in stop-motion animation and aim to demonstrate that matter can express a sense of tactility and metaphorically act autonomously from the diegetic narrative, staging a second level of narrative (meta-diegetic).

Vincenzo Maselli is a PhD student in design at Sapienza University of Rome. His research aims to demonstrate how materials and puppets’ building techniques can communicate narrative meanings in stop motion animation cinema. In October 2016 he moved in London, where he is continuing his research at Middlesex University.

  • Sally Pearce “Can I draw my own memory?” A visual essay

I try to use my pencil as a scalpel to extract a memory whole, but the memory will not be drawn out like a lump of tissue, instead it changes as soon as the pencil touches it. As my memory changes under the pencil, I am changed, I redraw myself.

Sally Pearce studied philosophy at Cambridge, then became a nurse. She started making films while studying Fine Art at Sheffield Hallam, followed by an MA in Animation Direction at the NFTS. Her films have screened and been awarded at Festivals around the world. She hopes to start her PhD in October 2017.

  • Barnaby Dicker “A Quivering Terminus: Walerian Borowczyk’s Games of Angels, animated documentary and the social fantastic.”

This paper explores how Borowczyk’s Games of Angels (1964) utilises a fantastic topography to play with tropes of documentary and fiction in an effort to engage with painful social history in a direct, but far from literal way; its design and structure conveying, through a disturbing momentum, the experience of a quivering terminus.

Dr Barnaby Dicker teaches at Cardiff School of Art and Design. His research revolves around conceptual and material innovations in and through graphic technologies and arts.

1.00 – 1.30       Panel discussion chaired by Birgitta Hosea

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1.30 – 2.30      LUNCH

2.30 – 3.00      Keynote: Lei Lei

In his experimental animated works, Lei Lei always pays particular attention to collecting and collating historical texts and images and trying to search for elements of the poetic and dramatic between reality and fiction. In Hand colored No.2, through the use of manual painting, Lei Lei and Thomas Sauvin try to connect black and white images of different people, attempting to construct a fictional character, narrating his personal history.

LeiLei 雷磊, Artist / Filmmaker. Born in Nanchang, Jiangxi Province, 1985 and is an experimental animation artist with his hands on video arts, painting, installation, music and VJ performance also. In 2009 he got a master’s degree in animation from Tsinghua University. In 2010, his film This is LOVE was shown at Ottawa International Animation Festival and awarded the 2010 Best Narrative Short. In 2013 his film Recycled was selected by Annecy festival and was the Winner Grand Prix shorts – non-narrative at Holland International Animation Film Festival. In 2014 he was on the Jury of Zagreb / Holland International Animation Film Festival and he was the winner of 2014 Asian cultural council grant.

3.00 – 4.00      Animation: Lessons of Darkness and Light

Guli Silberstein: ‘The Schizophrenic State Project’

The Schizophrenic State Project, which started in 2000, contains a series of videos that appropriate mass media footage of violence, war, and protest, in the context of Israel, Palestine and the region. The images are processed via digital means in diverse ways, creating poetic works that formulate news media critique.

Guli Silberstein is an artist and video editor, based in London UK since 2010, born in Israel (1969). In 2000 he received his MA in Media Studies from The New School NYC, and since 2001, he creates work shown and winning awards in festivals and art venues in the UK and worldwide.

Becky James: “Expanding the Index in Animated Documentary”

Documentary animation examining mental state is a robust subgenre; often these works try to recreate an unusual psychological state to promote empathy and understanding. Using patient records and contemporaneous film strips, Betina Kuntzsch’s 2016 animation Spirit Away avoids speaking for, explaining, or diagnosing the female patients at the Heidelberg Psychiatric Clinic. Kuntzsch does not use the index to provide truth claim or to promote understanding, but instead the index acts as metaphor and distancing mechanism in this work about isolation.

Becky James explores the intersection of the individual and social through animation. She has exhibited in galleries throughout the US and at film festivals including SXSW, Jihlava Documentary Festival, Filmfest Oldenburg, and IFF Rotterdam. A native New Yorker, James graduated from Harvard and received her MFA from Bard. She currently teaches at Parsons School of Design.

Susan Young: “Bearing Witness: Autoethnographic Animation and the Metabolism of Trauma”

This presentation and short film screening examines my use of autoethnographic animation methodologies (which include myself as an experimental case study), in order to excavate and bear witness to the memories and lived experience of psychological trauma, and to challenge their related, often stigmatising and ‘othering’, psychiatric diagnoses.

Susan Young is an animation director who has worked principally in advertising, commissioned films and music promos. Her current RCA PhD research is based on personal experience of psychological trauma, and includes a series of short experimental films that explore how animation might ameliorate trauma symptoms.

4.00 – 4.15      BREAK

4.15- 5.00pm   Screening: Films

Lei Lei, “Recycled” (6 min)

Sheila Sofian, “Truth has Fallen” (15 min excerpt)

Peter Bo Ruppmund, “Tectonics” (20 min excerpt)

TECTONICS preview from Peter Bo Rappmund on Vimeo.

5.00-5.30         Concluding panel discussion, chaired by Barnaby Dicker

5.30                 Reception

For more information about studying MA Animation: Documentary at RCA: http://www.rca.ac.uk/schools/school-of-communication/animation/documentary-animation-pathway.

Video documentation of this event will be archived on our Vimeo channel at:

https://vimeo.com/channels/documentaryanimation.

This event is supported by the Society for Animation Studies, an international organisation dedicated to the study of animation history and theory since 1987. For more information and to become a member:

https://www.animationstudies.org.

 

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Ecstatic Truth II: Lessons of Darkness and Light

“Fact creates norms, and truth illumination” Werner Herzog 

Date: Saturday 27th May, 2017
Location: Stevens building, Royal College of Art, Kensington Gore

This second animated documentary symposium at the RCA will to continue with the examination of how animation can contribute to, challenge and push the boundaries of what documentary film can be.

Our keynote speakers are Annabelle Honess Roe, author of ‘Animated Documentary’ and filmmaker Lei Lei.

For more information and to book a FREE ticket: https://www.eventbrite.co.uk/e/ecstatic-truth-lessons-of-darkness-and-light-animated-documentary-symposium-tickets-33257461964

Call for Papers: Ecstatic Truth II

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Ecstatic Truth II: Lessons of Darkness and Light

“Fact creates norms, and truth illumination” Werner Herzog 

Date: Saturday 27th May, 2017
Location: Stevens building, Royal College of Art, Kensington Gore

The second animated documentary symposium at the RCA is back!

We want to continue with the examination of how animation can contribute to, challenge and push the boundaries of what documentary film can be. We will consider animation in the most expanded sense and are interested in proposals that may challenge and redefine the boundary of animation itself. We can also confirm that Annabelle Honess Roe, author of ‘Animated Documentary’, will be one of our keynote speakers.

In the last symposium, one of the themes that emerged was one of archaeology and excavation. According to Herzog: “There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.”

We invite speakers to present projects that roam the landscape (whether real or imagined), dig through the sediments of reality, explore vertical time of poetry, examine hidden histories, project visions of future, or trace new connections between concepts, use fabrication and imagination to touch upon vital issues: whether these are social, political, philosophical, or personal.

At a time of polarised political views and a deep sense of division, it seems to be a relevant moment to question the concept of darkness and light, aesthetically, politically, ethically, imaginatively. How can our work be of relevance, help us understand where we have been, where we are, and where we might go? How can the notion of ecstatic truth cast light on the shadowy concept of post-truth and what contribution can animated documentary bring to this debate? How can animation documentary, in its most expanded form, illuminate us?

We are opening this call for paper to PhD students, researchers (within animation but also beyond), filmmakers and other practitioners, who use animation as part of their methodology, their way of trying to understand the world.

Proposals should be for either:

  • a 20 minute conference paper;
  • an alternative discussion/presentation format as appropriate for practice-based research (this can include practice based work in a form of short films, images etc.)

 

Proposed themes:

Deeper Strata

Vertical time and poetic image, landscape and memory, shared or personal history, embodiment

Visions of Future

Imagination and fabrication, science-fiction, art & science dialogue, role of technology

Lessons of Darkness and Light

Human condition, social issues, society, social commentary, religious or spiritual, re-contextualizing documentary footage, post-truth/ecstatic truth/animated form

 

To submit your proposal or any related questions please contact dr Tereza Stehlikova:

tereza.stehlikova@network.rca.ac.uk

The deadline for submissions is 7th April 2017

Facebook event: https://www.facebook.com/events/1326409527421972/

Call for Papers: ANIMATION AND MEMORY

International Conference at Radboud University, Nijmegen, 22-23 June 2017

Confirmed keynote speakers

• Dr. Annabelle Honess Roe, University of Surrey
• Professor Suzanne Buchan, Middlesex University London

Invited artist

• Ülo Pikkov, animator and PhD candidate at the Estonian Academy of Arts

Call for Papers

The past thirty years have witnessed the emergence of memory studies as a field that has yielded a rich body of research into practices of remembering and forgetting in art, popular culture, and everyday life. While live action cinema and documentary films have been studied extensively, the interrelation between animation and memory has so far received much less attention. This lacuna in scholarship is particularly pertinent in light of the increasing number of animation films dealing with various forms, methods, and contexts of remembering and forgetting.

Our conference seeks to address this lacuna. We use the word animation in the broadest possible sense, from stop motion to computer animation and gif files, from cell animated cartoons to painted animation. Cognizant of the medium’s inherent differences from (as well as similarities to) live action cinema, we are particularly interested in the ways in which animation can operate as a medium and a technology of memory and forgetting.

The main questions we will explore are as follows: How do animation films bring forth personal and collective pasts, as well as traumatic, repressed or tabooed memories? What role does the materiality (or immateriality) of the medium play in representing the past and processes of remembering and forgetting? What is the role of found footage, objects, and sound in animation? What role does animation play in disseminating information about the past and how does it serve political ends?

We welcome proposals for 20-minute papers, as well as three-paper panels. Although the conference focuses on animation and memory in a broad sense, we especially seek contributions that address animation in relation to:

Ø documentary
Ø reenactment
Ø recollection
Ø adaptation
Ø the archive
Ø aide mémoire
Ø lieux de mémoire
Ø communicative / cultural memory
Ø postmemory
Ø multidirectional memory
Ø prosthetic memory
Ø performances of memory
Ø real and imagined pasts
Ø commemoration, memorials and monuments
Ø personal and collective trauma
Ø forgetting and amnesia
Ø found footage / objects
Ø tabooed and repressed memories
Ø affect, nostalgia and melancholia
Ø materiality and new materialism(s)
Ø worldmaking
Ø theories of memory studies
Ø the history of the medium
Ø museums, exhibitions, education
Ø miniaturization and enlargement
Ø festivals and distribution of films

Please send an abstract of about 250 words and a bio of 100 words to the organisers at <animationandmemory@let.ru.nl> by February 15, 2017.

Conference website: www.ru.nl/animationandmemory

Selected papers will be considered for publication.

Conference committee Maarten van Gageldonk, László Munteán, Ali Shobeiri, Cansu Soyupak, Josette Wolthuis

Ecstatic Truth – Call for Papers

Ecstatic Truth: Defining the essence of an animated documentary 

Kentridge
[William Kentridge]

 

APGR* research symposium at the Royal College of Art
Date: Saturday 14th May, 2016
Location: Stevens building, Royal College of Art, Kensington Gore

According to Werner Herzog mere facts constitute an accountant’s reality, but it is the ecstatic truth (a poetic reality) that can capture more faithfully the nuances and depths of human experiences. Given that animation has the freedom to represent, stylize, or reimagine the world, it lends itself well to this aspirational form of a documentary.

To celebrate the launch of our new Animated Documentary pathwayRoyal College of Art Animation warmly invites PhD research students to submit proposals for Ecstatic Truth: the 6th Animation PGR research symposium. We invite speakers to respond to the idea of “Ecstatic Truth” and reflect, speculate and imagine how animated form might elicitate the different facets of this poetic truth, through its unique language.

Proposals should be for either:

–       a 20 minute conference paper;

–       or an alternative discussion/presentation format as appropriate for practice-based research (this can include practice based work in a form of short films, images etc.)

Some of the proposed themes:

Showing the Invisible
Inner states, subjective states, forbidden places, ethical issues etc.

Transcending Time
Memory, future, sci-fi, history etc.

Truth, Falsification and Poetry
Virtual reality, fictional elements, special effects, imagination, poetic truth etc.

Art and Science dialogue
Science visualization, role of poetry in science imagery etc.

Human condition
social issues, society, social commentary, health and illness, conflict etc. 

(We equally welcome fierce and creative opposition to Herzog’s statement…!)

Please note that the symposium is designed for MPhil / PhD students to present their work-in-progress to a friendly and well-informed audience of peers and supervisors.

The deadline for submissions is 14th April 2016.

To submit your proposal or any related questions please contact Dr Tereza Stehlikova: tereza.stehlikova@network.rca.ac.uk 

*The Animation Postgraduate Research Group was set up in 2011 by Dr Paul Ward of the Arts University College at Bournemouth as a safe and supportive network in which MPhil/PhD students in animation can network, exchange ideas and disseminate their research.

 

Animated Documentaries from the Royal College of Art

 

For inspiration, here are a number of different approaches to animated documentary created by students on MA Animation at the RCA:

Nightclub from Jonathan Hodgson on Vimeo.

Yellow Fever from Ng’endo Mukii on Vimeo

Devil In The Room from Mackinnonworks on Vimeo.

Procrastination from Johnny Kelly on Vimeo.

Die Andere Seite from Ellie Land on Vimeo.

CONFIA 2016: Call for Papers

The call for papers for CONFIA 2016: International Conference for Illustration and Animation has been extended to March 31st.

CONFIA is organised by the School of Design at the Polytechnic Institute of Cávado and Ave and endeavors to be:

“a pivotal contribution to the contemporary discussion of the areas referred above, which combine long traditions with pioneering roles in technological innovation. We intend to broadly explore the multidisciplinary space that includes illustration and the animated image, from the construction of the narrative to character development, from art theory to critical reflection on the objects that populate the market and the industry. The conference seeks quality original submissions from artists, the industry, the academic community and the market.”

This year CONFIA will be held in Barcelos on June 10, 11 and 12. The keynote speakers are Esther Leslie and Sophie Van Der Linden.

All accepted full papers will be published in the conference proceedings (with ISBN). Only original contributions will be accepted. Submitted papers will be reviewed on a double-blind review basis.

Recommended topics include, but are not limited to, the following:

1. Illustration/ Drawing
Graphic illustration
Information graphics
Editorial illustration
Illustration for children
Character design
Comics and graphic novels

2. Animation
2D animation
3D animation
Animation for video games
Character animation
Animation for virtual or augmented reality
Animation in interactive media
Motion graphics
Sound and animation

3. Art theory applied to illustration and animation
Linear storytelling
Creative writing
Visual culture
Interactive storytelling
Narrative and non-narrative animation
Illustration and animation pedagogy
Authorship in animation or illustration

For more detailed information, please visit http://www.confia.ipca.pt/