Call for papers: Synaesthetic Syntax

Expanded Animation 2020 –
Synaesthetic Syntax: Sounding Animation / Visualising Audio


[Image from Oregon Symphony Orchestra’s performance of Luciano Berio’s Sinfonia, courtesy of Rose Bond, 2020]

Submission deadline: 17th May 2020
Symposium details: Sunday 13th September 2020, Ars Electronica, Linz, Austria.
Submission link: https://easychair.org/conferences/?conf=ea2020

Faced with the infinite possibilities of faking through digital production, might there be a craving to return to that which is material and sensible: work that is improvised, spontaneous and can be experienced fully with all the senses? A move away from simulated, synthetic perfection to the handcrafted and the imperfect, which evidences the trace of human touch and intimate presence?

This year the Expanded Animation events at Ars Electronica extend into a dialogue about relationships between the senses, in particular the auditory and the visual. What are the rules, principles, and processes that govern correlations between sound and animation? How might these be explored, unpacked and reassembled?

Keynote Speaker


Our Keynote Speaker is media artist, Rose Bond, who produces work at the juncture of cinema, animation and experiential design. She will be presenting her latest animated collaboration with the Oregon Symphony Orchestra on a live performance of Luciano Berio’s Sinfonia.

Submission Guidelines


In response to these themes, we call for academics and artists to propose 20-minute papers that bring the disciplines of music, audio art and animation together from a variety of perspectives: from historical or theoretical analysis to new and surprising practice.

The proposal should include an abstract of no more than 500 words (including references) and a short biography of no more than 200 words.

Submission is via Easy Chair at https://easychair.org/conferences/?conf=ea2020 where you will be prompted to set up a free Easy Chair account.

All selected speakers will be given a free pass to the 2020 Ars Electronica Festival.

List of Topics


Suggested topics include:

Hearing Colour Seeing Sound
Can music become visual? How did pioneers of visual music such as Oskar Fischinger and Mary Ellen Bute translate melody, harmony and rhythm into the form of animation? And can moving drawings become music? Is Oramics, Daphne Oram’s drawn sound machine, a form of animation? How can historic and / or contemporary practice demonstrate synaesthetic syntax?

In front of your eyes and ears
With a perceived disparity between the slow time taken to create animation and the instant time taken to perform music, how can animation be performed live? Can the audio and the visual be combined in improvised performance? How can live, hand scribing or music notation or coding or drawing be used to conjure spontaneous audio-visual performance? What is gained from real-time, instant creation in the present moment?

Rhythmanalysis
Repetition and difference is at the heart of rhythm, at the heart of the algorithm, at the heart of animation, at the heart of lived experience. Rhythm is everywhere. From the natural – visceral, internal rhythms of the body breathing and the heart pumping or the slow changing of the seasons; to the artificial – externally imposed rhythms ordering us through the ticktock of mechanical  clock-time or the ebb and flow of economic cycles. How does rhythm connect audio and animation? What might animation learn from audio and music theory and vice versa?

A Return to the Material
In an age of digital synthesis is there a craving for a return to the material? Do we long for haptic feedback and analogue experience: the touch of guitar strings, the feel of charcoal smearing under the fingers, banging a drum, painting on film? Is this simply a form of nostalgia or might it be thought through in new ways? How can it be brought together in the audio-visual?

Movement and Gesture
Whether performing an instrument or making marks for drawing, the gestural is a core part of human expression. How can kinaesthetic gesture be explored to create new kinds of audio-visual experiences?

Organising Committee


The organisation is a collaboration between:

Venue


The conference will be held as part of Ars Electronica in Linz, Austria.

[Disclaimer – we are operating under the assumption that social distancing will no longer be required in September and ‘normality’ has been restored].

Contact


All questions about submissions should be emailed to <animationresearch@uca.ac.uk>

dotdot dash

ddd_rect

Come and take part

6-8pm Thursday 17th January 2019
Cello Factory, 33-34 Cornwall Road, Waterloo, London SE1 8TJ

New performance as part of the opening of In the Dark, an experimental show by the London Group, the Computer Arts Society and the Lumen prize

inthedark2019

dotdot dash is a participatory light action with laser pointers and voice directed by Birgitta Hosea. The performance is orchestrated around a chance-based score made through walking with paint-covered feet over musical paper. Coming together in a choral collaboration, participants are directed to explore the colours and mark making possibilities made by drawing with laser pointers and to accompany this with the sounds of their own voices. The effect is a live audio visual performance of animated lines in red, green and purple reminiscent of a scratched-on film, abstract animation such as those made by Len Lye.

Although many other artists such as Pika Pika and even Picasso have done light painting before, this is not the same. It is not a set up to be recorded on a slow exposure for a photograph, but a live animation of lights and sound that is created communally and experienced in the present moment.

dotdotdash.6small

dotdot dash was originally commissioned in 2018 for the Night Walking North Kent festival by InspiralLondon, a collaborative artists’ project led by Charlie Fox of Counterproductions. The project is based on a 300-mile walking trail around London in the shape of a spiral created by Charlie Fox and divided into 36 sections.

mapinspirallondonb&amp;w

Determining a route by chance through this drawing of a line means that the walk cuts through many unpredictable parts of London. dotdot dash was created to be experienced by walkers as part of a series of site specific artworks at the end of the trail in Gravesend. My intention was to create a work of animation that could be made collectively by the participants on the walk; that was mobile and would not involve carrying any heavy equipment.

2018-04-20 23.42.17

Additionally, following discussions with the InspiralLondon group about privilege and who is able to walk around freely in the dark at night, dotdot dash is a collective action to reclaim the night through light and noise for people who may not normally feel safe to walk at night in the city.

2018-04-20 23.42.44

The route involved going through light industrial areas that are desolate and deserted at night, walking through a caged walk way over a sheer drop to a chalk pit, through bushes and undergrowth, past burnt out motor bikes, across another caged walkway over a railway line and then to a tunnel through a disused chalk pit near Ebbsfleet International station. Everyone on the walk was given two laser pens and with around 30 people present together we created a live performance of animation. With the help of brass megaphone, I gave instructions as to what colors and types of marks they should make. With the excellent acoustics provided by the tunnel, I encouraged people to sing along with the instructions too.

tunnelb&amp;w

The work was repeated in a tunnel on the Regents Canal at Kings Cross, London for another InspiralLondon night walk for the London as Park City Festival, Friday 20th July 2018. A different group of walkers participated in the work. The addition of the water going through the tunnel added an extra element of bounced light and reflection to the mark making possibilities.

ddd_kx2018

ddd_kxddd_kx_people

Chance-based score made by walking, Birgitta Hosea, 2018

dddscore01dddscore02dddscore03dddscore04

The same score interpreted by participants with lasers!

2018-04-20 23.43.57-1