Re-animating the Archive

Discovering Collections, Discovering Communities conference, Manchester, 12-14 October 2015

Watch the conference paper on You Tube:

More information about the presentation:

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At this year’s National Archives and Research Libraries UK conference, Alison Green and Birgitta Hosea will be presenting a collaborative project between four organisations: MA Culture, Criticism and Curation and MA Character Animation at Central Saint Martins, the Guildhall School of Music and the Old Operating Theatre Museum.

With a conference theme of exploring new digital destinations for the heritage sector, Discovering Collections, Discovering Communities, will examine methods for meaningful and innovative digital engagement with museums and archives. Reflecting on the CUT! exhibition created for the Old Operating Theatre Museum, Green and Hosea will demonstrate a case study of the use of animation in museums and archives.

Abstract:

How can digital media augment old spaces and things? Using the exhibition, CUT! (Old Operating Theatre Museum, London, 2014) as a case-study, we will present a project that juxtaposed original, auratic objects with reinterpretations in the form of short digital animations. CUT! was a collaboration between the Museum and students from two courses at Central Saint Martins, MA Character Animation and MA Culture, Criticism and Curation.

The aim of the exhibition was to bring back a sense of the people who had once worked or been treated in a space now filled with glass cases and curious objects. Animations inspired by the museum’s quirky range of artefacts from medical history were created by students from MA Character Animation. The forty films were curated by students from MA Culture, Criticism and Curation, placed as interventions into the museum’s permanent collection, like a haunting or re-animation of the historic objects.

The exhibition, conceived as an experiment and which proved popular with visitors, raised issues about how audiences relate differently to ‘history’ versus ‘the present’ and how different people engage with different types of objects and technology. The paper will theorise these results through discussions of animation and haunting (Cholodenko, 2007 & 2011) and memory as speech versus memory as object (Derrida, 1996). Both presenters have led several collaborative projects with students working with museums. We are interested in exploring what such projects mean for our respective fields—digital animation and curating—and, further, reflecting upon these partnerships as forms of pedagogy.

Link to presentation slides:

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Women Hold Up Half The Sky

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Strangelove Moving Image Festival, Mon 16th March 2015: Women Hold Up Half The Sky

This 1-hour programme takes as its title a Mao-era propaganda slogan as a provocation to think about the status of women in China today relative to the past. These short, independent films by (all but one) female animators, many studying outside their native China, raise issues from contemporary China including personal identity, hormones and chemicals in factory production, the pressure of academic success, memory, the ties of family, abortion and the influence of pervasive computing.

Curated by Chunning Guo (Renmin University), Birgitta Hosea (CSM), Shelley Page (Dreamworks)

MA Character Animation, Central Saint Martins, University of the Arts London:
@CSMAnimation

Pinning Butterflies: Royal Albert Hall Monday 9/03/2015

Pinning Butterflies: this audience engagement project was created by BA Performance Design and Practice at Central Saint Martins with the Royal Albert Hall.

Animation (by First Year students on MA Character Animation at CSM), installation and performances on the themes of Pucini’s opera Madam Butterfly were installed to be walked through in the backstage area of the Royal Albert Hall. Four groups of visitors at a time were lead through loading bays, changing rooms, props areas, theatre corridors and catering spaces to experience a range of works including animated emotions, a life size chrysalis, provocative poetry in the lift and suicide by origami.

This one day event was designed to get the local community interested in the events at the Royal Albert Hall.

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Madam Butterfly production at the Royal Albert Hall (from the NY Times DEC. 22, 2014)

Documentation from the CUT! Exhibition

CUT! was an exhibition at the Old Operating Theatre Museum, 9a St Thomas’ Street, SE1 9RY that ran from 3 November 2014 to 15th December 2014. This museum is sited in a former anatomical theatre and herb garret from the ancient St Thomas hospital. There has been a hospital on this site near London Bridge for over 1,000 years!

Animations inspired by the museum’s quirky range of artefacts from medical history were created by students from MA Character Animation at Central Saint Martins with soundtracks composed by students from Guildhall School of Music. MACA’s Visiting Professor, Shelley Page, and the museum’s Creative Director, Kevin Flude, helped the students to brainstorm ideas for short 1-minute films.

The 40 films that the students made were curated by student curators from MA Culture, Criticism and Curation and placed as interventions into the museum’s permanent collection, like a haunting or re-animation of the solid objects. The films were projected onto the wall of the famous anatomical theatre, below cabinets and tucked away in drawers and surgical cabinets. This contrast between contemporary, digital animation and historic artefacts and site proved popular with visitors and raised issues about how audiences relate to original objects in glass cases.

The curation team ran a series of events during the exhibition and also created a CUT! exhibition app which is available on the Apple App Store.

Pictures from the exhibition:

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Documentation from KETCHUP

The Ketchup exhibition by Chunning (Maggie) Guo in Central Saint Martin’s Window Gallery was extended by two weeks due to popular demand.

Setting up (thanks to Judy Wang):

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The exhibition: Window I

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The exhibition: Window II

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Private View

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Presentation

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During her presentation, Maggie described how, based on incidents from her husband, Baishen Yan’s childhood in a secret military base, the installation served as a materialisation of some of the ideas behind the film. A telephone call from her mother-in-law and the sensual memory trigger of tomatoes being made into ketchup, inspired her script for the film.

Watch the film on Vimeo:

ketchup from Baishen Yan & Chunning Guo on Vimeo.

Curated by Birgitta Hosea. Photos by Birgitta Hosea and Chunning Guo.

KETCHUP by Chunning (Maggie) Guo

MA Character Animation presents:
Ketchup, an installation by Animation Artist-in-Residence Chunning (Maggie) Guo.

MACA is delighted to welcome Chunning (Maggie) Guo as our first Chinese Visiting Researcher and Animation Artist-in-Residence, a project made possible by the British Council and CICAF. Maggie is an independent animator who collaborates with Baishen Yan on films that explore memory and is in residence at Central Saint Martins for 3 months. Her work has been shown at international festivals and she was previously in residence as a Visiting Scholar at Vancouver Film School. She currently lectures at Renmin University, where she is also a PhD candidate, and is the author of several books on animation and digital arts. Link: http://www.arts.ac.uk/csm/people/teaching-staff/drama-and-performance-programme/chunning-guo/

Ketchup, in the Windows Gallery at Central Saint Martin, presents the context behind the short film, Ketchup, made with Baishen Yan, in which tomatoes act as a memory trigger for brutal events in China in 1984.

Opening times: 09.00-21.00, 11-25th November 2014

Venue: Windows Gallery, The Crossing Central Saint Martins, University of the Arts London, Granary Building, Kings Cross, London, N1C 4AA

Screening: There will also be a screening, presentation and Q & A on Monday 17th November at 18.30 in room C303. If you would like to attend the screening, please RSVP to: http://ketchup.eventbrite.co.uk as seats are limited.

Join Facebook event: https://www.facebook.com/events/1530522017186368

Exhibition curated by Birgitta Hosea

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Moving Posters for London Transport Museum

Here are the final films created by students from MA Character Animation at Central Saint Martins for the London Transport Museum. Made in small teams of 3-4 people to a short deadline of two weeks, they employ a variety of digital and drawn techniques in combination  – from stop motion to Flash, Photoshop, Illustrator, After Effects and Maya. Each short film is inspired by a historical poster that had been designed by an alumni from the college. The posters are shown at the end of the films. We will be having a small exhibition of the films and original posters in the Central Saint Martins Window Gallery during the month of May.

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Variety for a Change of Scene

Underground – for the Amusements of the People

Strong Blossoms

Royal Tournament, Olympia

People in a Theatre Box

Kenwood – London’s New Park

For London Spectacle

Cheap Fares for School and Pleasure Parties