I first became aware of the work of Tabaimo after her Boundary Layer exhibition at the Parasol Unit last year. In her work, unsettling animations are projected across several walls or custom-built spaces to form a continuous image. Tabaimo’s installations uncover the shadow image of conventional domesticity, such as Japanese Kitchen, 1999, or public spaces such as toilets, public conVENience, 2006. Here is an interview with her from the Moderna Museet in Stockholm: