William Kentridge, I Am Not Me, The Horse is Not Mine

Don’t miss the last chance to see William’s Kentridge’s atmospheric and evocative, multi-screen installation, I Am Not Me, The Horse is Not Mine (2008)  in the Tate Modern Tanks. It finishes on Sunday 20th January.

The title of the piece is inspired by a Russian peasant saying that is used to deny guilt. In Kentridge’s talk about the work on 11/11/12, he related how the animations were created as part of the research process he undertook whilst working on a production of Dmitri Schostakovich’s opera, The Nose, from 1928. This satirical opera is based on Nikolai Gogol’s short story from 1837. Inspired by DADA and a long tradition of the absurd, which Kentridge traces back to Cervantes novel Don Quixote, it did not go down well with the Russian authorities who, according to Kentridge, referred to it as ‘a muddle not music’. Here is a clip with more information about the production.

As Kentridge worked in his studio to develop the production, many eclectic ideas came together for him: the history of the absurd in literature; the Soviet purges of intellectuals; the disembodied nose with a life of its own; the artist’s disembodied sense of judgement in inner dialogue with his intuitive approach to making work; the reconstruction of a coherent self from multiple fractured pieces; Modernism and collage; how we make knowledge from fragments; the amount of visual clues needed before we can recognise a fragment of black paper as a horse; the fragmented nature of the world; his own native South Africa and the fractured gap between the promise of enlightenment which underlies colonialism and the violence, brutality and exploitation that underlies it. It is all of these raw materials and more that have been brought together in the collection of animations that play across the screens in the Tanks.

For Kentridge, the artist’s process of bringing together multiple complex ideas is a metaphor for how we make sense of things. Looking at what is in effect his research and development work, we are presented with a state of becoming, an idea taking shape, but not yet fixed.

‘Medium’ mark II

Medium, a living picture in which I take the role of a techno-medium, channel digital doubles and emanate electronic ectoplasm, will be performed again at two different events in December 2012:

  • Saturday 1st December, Exploding Cinema @ Besides the Screen, St James Hatcham, Goldsmiths College, St. James’s, New Cross, SE14 6AD. This event is on from 6.30-11pm. I will be performing live from 7-9pm. Tickets are £5.
  • December 6th 7th & 8th, GHost IV: Presence and Absence – Haunted Landscapes and Manifesting GhostsSt. John on Bethnal Green, 200 Cambridge Heath Road, E2 9PA (next to Bethnal Green tube).
    Times – December 6th 6.00pm – 9.00pm (I will perform live 6-8pm),
    December 7th 6.00pm – 10.00pm (I will perform live 6-8pm),
    December 8th 2.30pm – 7.30pm (I will perform live 6-7pm).
    This event is free.
Each of these GHost events I appear in are curated by Sarah Sparkes and also feature a host of other artists who do interesting things with moving image and installation. Click on the links for more information.
Here is a one minute excerpt from the first version of Medium, created for the Dickensian Hauntings exhibition curated by Illumini at Shoreditch Town Hall, London, September 2012. I’ll be doing a presentation on this work entitled, ‘The Medium is the Messenger’, at the next Colloquium of Performance Research, 17-18th January 2013, Central School of Speech and Drama, London.
Postscript: Curator, Sarah Sparkes, documented the GHost IV exhibition on her blog and also on Flickr.

Medium

“The cinema is the art of ghosts, a battle of phantoms… it’s the art of allowing ghosts to come back.” Jacques Derrida

Inspired by Victorian spirit photographs, this tableau vivant explores the act of mediation that is involved in the digital image making process. Taking the role of a techno-medium, I channel messages from film and radio through my multiple digital doubles and live projections of automatic writing, electronic ectoplasmic drawing and animation in an examination of the connections between a medium, such as film or digital code, through which a message is encoded, stored and transmitted and the psychic medium, a person who transmits messages from the spirit world.

Photos typical of the materialising mediums who inspired this work:


Medium by Birgitta Hosea,
Shown as part of the Dickensian Hauntings Illumini Event,
27th September – 4th October 2012.
Open daily from 11-7pm (free).
Opening Night on Thursday 27th September from 6pm – 10pm
Late Night Openings: Sat 29th Sept & Thurs 4th Oct till 10pm
At Shoreditch Town Hall, 380 Old Street, London EC1V 9LT

Medium will be performed live at the following times (a video installation will play at all other times.):
Thursday 27th: 6-6.45, 7-7.45, 8-8.45
Saturday 29th: 6-6.45, 8-8.45
Saturday 29th: 7.30-7.45 Artist’s talk in which I will show examples of the original Victorian spirit photographs that inspired the project.
Thursday 4th: 6-6.45, 7-7.45


Preview presentation at Hostings 9:  Presence – ghost-makers 2
Wednesday September  26thth at 6.30pm – 9.00pm
The Hostings are a night of presentations and performances exploring the desire to materialise what is absent by manifesting ghosts.
At this event, I will present the research into Victorian spirit photography and materialising mediums that inspired the work.

The talks are FREE but please email:
ghost.hostings@gmail.com
to reserve your seats.

Venue: The Senate Room, First Floor, South Block, University of London, WC1E 7HU (An apparition known as ‘The Blue Lady’ has been reported to haunt the Senate room)

Hostings 9 Programme

Birgitta Hosea: Medium
Rosie Ward: Artful Hauntings: How Artistic Intuition can Create New memories within Landscape
Guy Edmonds:  Seancé du Cinema – A synthesis of domestic resurrection media

GHost is a visual arts and creative research project which brings together artists, writers, academics, scientists, curators, researchers and others for workshops, so-called Hostings and exhibitions and screenings of moving image art. The Hostings have been taking place in the “haunted” rooms at Senate House, University of London and the exhibition have been hosted annually by St Johns on Bethnal Green and also by The London Art Fair and Folkestone Triennial.

More information: www.host-a-ghost.blogspot.com


Derrida interviewed in Ghost Dance (dir. Ken McMullen, 1983, UK / West Germany, Channel 4 Films):

https://youtu.be/WG_JA6SJD8k

Nathalie Djurberg: A World of Glass

Swedish sculptor Nathalie Djurberg’s installation A World of Glass is on at the Camden Arts Centre until 8th January 2012. In this installation her disturbing stop motion animations play at either end of a room filled with glass: the translucency of this material echoing the translucency of projected light and yet contrasting with the fleshy, sinister quality of her claymations.

Nathalie Djurberg with music by Hans Berg A World of Glass from Camden Arts Centre on Vimeo.

Here is an interview with Nathalie and her composer Hans Berg about the work.

Mat Collishaw, Throbbing Gristle, 2008

Mat Collishaw’s show Shooting Stars at the Haunch of Venison in 2008 explored the legacy of Victorian imaging technology in our parallel era of rapid technological development. The most powerful presence in the show was Collishaw’s contemporary zoetrope, Throbbing Gristle, featuring small  characters created through rapid prototyping that appeared to come to life under the flickering lights of the gallery.

Tabaimo Interview

I first became aware of the work of Tabaimo after her Boundary Layer exhibition at the Parasol Unit last year. In her work, unsettling animations are projected across several walls or custom-built spaces to form a continuous image. Tabaimo’s installations uncover the shadow image of conventional domesticity, such as Japanese Kitchen, 1999, or public spaces such as toilets, public conVENience, 2006. Here is an interview with her from the Moderna Museet in Stockholm: